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17th
International Architecture Exhibition
La Biennale di Venezia
Pavilion of Turkey
22/05—21/11/2021
SALE D'ARMI, ARSENALE
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PAPERWORK9
RETURN
POLICY
Laida Aguirre
Published on
16/01/2021
Keywords
LOGISTICS PAPERWORK, POST-CONSUMER WASTE, BUREAUCRACY
Image by the author.
Published on
16/01/2021
Keywords
LOGISTICS PAPERWORK, POST-CONSUMER WASTE, BUREAUCRACY
RETURN
POLICY
Laida Aguirre

At first, a return receipt… A 15/30/90 day conditional.
Then a questionnaire, a form.
A label, a shipment.
After return, an assessment.
A decision, then a refund.
Money or credit, a “Return Material Authorization Form.”

One mostly picks the first option on the form, or whatever the cursor lands on, really. To the question of why this item and that item are being returned, say no damage. The questionnaire brings about a common conclusion: the worth of one’s time. To read through the return options and pick the correct one—literally nobody has time for this.

Return policies are a microcosm of material circulation, embodying multiple capitalist contradictions. These policies produce a temporary relationship to objects / a new timeline for material projects / a material dismissiveness / a reduced need for ownership / a new form of library / punk-ish access to free temporary materials / pre-calculated and already insured commercial loss / actual profit-drivers (those that return the most also buy the most) / small-scale preservation contract / techniques for value extraction and redistribution for no-budget-having-projects / cycles of waste. All of that. Returns are normal.

Where the return policies fall along these continuums depends on reverse logistics, an industry’s ability to receive, sort, and assess the materials returned. This process decides whether an object goes back to the shelf, is sent to liquidation, or goes to waste. Contractual and dry, yet highly subjective and requiring human intervention, this handling of returns has resisted automation and streamlining. Each object presents a different post-consumer condition—assessing this requires a discerning eye. It’s less industry standard and more reverse craft. A clumsy temporary deal.

    About the author Laida Aguirre is an architectural designer and director of stock-a-studio. Interested in the circulation of materials and commodities, their research focuses on the way our built environment is affected by the politics of aesthetics, logistics, and media. Laida is currently an assistant professor of architecture at the University of Michigan’s Taubman College of Architecture and Urban Planning.