This 1820s drawing by French naturalist Victor Fontanier included in his book Voyages in the East (Voyages en Orient) presents three geological cross-sections from the northern and eastern territories of Anatolia: between Şebinkarahisar (Giresun) and Sivas,●1 Sivas and Tokat,●2 and Tokat and Tosya (Kastamonu).●3 While each segment between the indicated numbers specifies a particular area of the geological investigation, a separate legend reveals the drawing’s ultimate motivation: a geological curiosity exposed through a detailed specification of the rock formations. The legend of the drawing annotates each cross-section with the minerals they contain, such as limestone marble, granite, pectinite, limestone, gypsum, porphyry, and siliceous sandstone.1
Fontanier became the French consul of the city of Trabzon in the Ottoman Empire not long after his expedition to the East. He was one of the first six graduates of the École des Naturalistes Voyageurs, a school established in 1819 at the Museum of Natural History in Paris. The school trained young “naturalist voyagers” on account of the French Government’s desire to re-establish a productive engagement with colonial possessions2 by discovering foreign natural resources along with collecting, preparing, preserving, and transporting local specimens, such as plants, animals, and minerals.3 Fontanier was initially sent to the East to examine local resources as a voyager expert and then was a short run diplomat already familiarized with the region.4 On the one hand, Fontanier’s travel books, and this geological drawing for that matter, reveal, once again, the intricate associations between geological curiosity and imperialist protocols. On the other hand, it marks the potential of other future drawings that would help to undo and reconstitute these procedures while prompting alternative observations and curiosities of the Earth itself.